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store-window dummies, their arms fixed in a certain way, their heads cocked at
a certain angle. They did not even blink, but, looking at them more intently,
Blade could see their chests move. They were still breathing!
Blade watched the cloud of energy, as it moved toward him, begin to coagulate
into a fine white powder. Some of the powder rained down on him, sticking to
his bloody, sweaty body.
Blade heard the rumble of the engines beneath him die away to silence, saw the
dim blue light in the room die away to darkness.
In that darkness he felt himself rise gently from the floor and drift through
space. Free fall! The city, unsupported by its force fields, was falling
toward the planet's surface.
He bumped against the body of a floating slave, then against another. He kept
his eyes tight shut, for the air was full of wandering bits of broken glass.
The pain came at last, the familiar pain in his head that told him the
computer probe had found him. He welcomed the pain, gloried in it, because it
meant that he was going home.
Chapter 17
The sun had set.
In the afterglow Richard Blade stood on the cliff, hands thrust into the
pockets of his rumpled burberry, the salty sea wind whipping his white silk
scarf and setting the legs of his white slacks
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flapping. Far out on the horizon, visible in the gathering darkness only by
its running lights, a ship made its slow way.
Blade smiled faintly, remembering.
The PM's bully boys had burst into the Tower of London computer complex, into
the very center, the holy of holies, where KALI ruled, and they had smashed
KALI, but not before Leighton had snatched Blade back from Dimension X.
The following day Leighton, in spite of a murderous hangover, had gone with J
to Downing
Street to explain that Blade was alive and sane, the Ngaa was dead, and the
Project must go on.
The PM had agreed, with the greatest reluctance. The Project would go on, but
with a reduced budget. Leighton would have to make do with his old original
equipment, at least for a while.
There would be no more totally automated KALI-style machines, perhaps for many
years to come.
Leighton had not been unhappy. He had visited Blade in the hospital and had
said, "I have a new theory, my boy. As soon as you're on your feet again . .
."
The Dorset air grew cooler, and mingled with the scent of the sea was the
subtler aroma of hawthorne, rose and wild thyme. Above the booming of the surf
there came the wistful lost cry of a cuckoo greeting the moon.
The bandages were off, yes, and Blade was "on his feet." A new trip to nowhere
was in the planning stage. But there were scars covering him from head to
foot, scars that would be years in fading.
A poem came to his mind. He had always loved poetry, particularly old poetry
written before form, meaning and feeling had gone out of style. He began to
recite, in a clear light baritone, though there was no one near to hear him.
"The sea is calm tonight, The tide is full, the moon lies fair Upon the
straits . . ."
It was Matthew Arnold's "Dover Beach," that great resonating extended simile,
that cathedral-
organ chord of lofty sense and sound. Blade intoned the beginning and middle
without a slip, but as he neared the end the wording eluded him. He knew the
meaning, but what were the exact words?
He frowned, annoyed.
Then a voice he knew well arose from his memory to play an old game one more
time. She spoke, and he repeated after her.
Ah, love, let us be true To one another! For the world, which seems To lie
before us like a land of dreams, So various, so beautiful, so new, Hath really
neither joy, nor love, nor light, Nor
certitude, nor peace, nor help for pain; And we are here as on a darkling
plain Swept with confused alarms of struggle and flight, Where ignorant armies
clash by night.
He turned from the sea and trudged toward the cottage.
Darkness had fallen in earnest by the time he arrived at his door. His car, a
Rover, stood near the back porch. Why did he think, at that moment, of the old
MG he had once owned, that he could not bring himself to part with until it
could scarcely run? After standing awhile, he went into the house.
He didn't turn on the electric lights. That would have been too harsh. That
would have made everything too real. Instead he knelt before the fireplace and
kindled a fire, using driftwood, twigs and old copies of the London Times.
When the fire was crackling, he went into the kitchen and selected, from his
small but expensive collection of French wines, a red Burgundy from one of the
better years. He opened the bottle with an antique silver corkscrew and poured
into a small bell glass, then raised the glass to his nostrils to savor the
bouquet. It was excellent.
He sipped, eyes closed.
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The taste was all the aroma had promised, not too strong, not too sweet, but
exactly right. He sighed.
He carried his glass into the other room and sat down on the worn old couch
before the fire, then took another sip. The wind was rising. He could hear it
wailing in the eaves. Though he'd seen no clouds, he knew a storm was on the
way.
He opened his burberry-the room was warming up-and extracted from his inside
breast pocket his gold-plated cigarette case. He opened it and took out a
Benson e lit the cigarette with his heavy initialed platinum cigarette
lighter. He blew an expert smoke ring.
He lifted his bell glass in a silent toast to someone or something or nothing.
Then he drank, and smoked.
And wept.
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